Although we tend to prefer the terms "fantastical" or "fabulist" to describe much of Maleonn’s body of work (as indeed noted by the Public Art editorial with its article byline, “Looking for fantasy in daily life, feeling the marvelous in reality…the world of ‘magic realism’”), Maleonn’s work is also most definitely connected to the “surreal” art tradition. The works selected for co
mmentary in the editorial and as examples of Maleonn’s work are at p. 60 “Shanghai Boys No 10 (Dancing With Eyes Shut)” (the same work chosen for full-page reproduction by Enroute magazine in spring 2006; image to the right); “Unforgivable Children No 1 (Love)” at p. 61; and “Portrait of Mephisto No 5” at p 62 (image below). (“Magic Realism,”, Public Art (South Korea), Issue 20 (May 2008), pp 56-65. )

Incidentally, readers may be interested to learn that “Portrait of Mephisto No 5” was refused by the Paris-based International Herald Tribune for use in a booked Craig Scott Gallery ad in an art advertising section of the IHT. The

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